{"id":3438,"date":"2025-04-10T15:46:34","date_gmt":"2025-04-10T14:46:34","guid":{"rendered":"https:\/\/stellaematutinae.org\/?page_id=3438"},"modified":"2025-04-16T08:53:15","modified_gmt":"2025-04-16T07:53:15","slug":"16-april-wednesday","status":"publish","type":"page","link":"https:\/\/stellaematutinae.org\/de\/16-april-wednesday\/","title":{"rendered":"16. April – Wednesday"},"content":{"rendered":"

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16. April – Wednesday<\/h1><\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

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\u201eStars of tomorrow IV\u201d \u2013 Matin\u00e9e-Konzert junger Talente<\/em><\/strong><\/h2><\/div>

Mizuki Namba <\/strong>\u2013 traditional Japanese music and the \u201cBelle \u00c9poque\u201d<\/em>
\u00c1lmos L\u00e1szl\u00f3 Tall\u00f3s<\/strong> \u2013 Von der Interpretation zur Inspiration<\/em><\/p><\/div><\/div>\n\n\n\n

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1. Toshir\u014d Mayuzumi (1929-1997) \u2013 \u30cf\u30fc\u30d7\u306e\u305f\u3081\u306e\u3008ROKUDAN\u3009\/ \u9edb\u654f\u90ce, dedicated to Ayako Shinozaki

2. Henriette Reni\u00e9 (1875-1956) \u2013 Pi\u00e8ce Symphonique \u2013 En trois \u00e9pisodes (1907)          
                                                  
3. Fuyuhiko Sasaki (1965-2020) \u2013 Resurrection With You, 1. Spring \u2013 Vulnerable Dreams \/\u30ec\u30b6\u30ec\u30af\u30b7\u30e7\u30f3\u30fb\u30a6\u30a3\u30ba\u30fb\u30e6\u30fc\u3088\u308a 1. \u6625 \u2013 \u511a\u3044\u5922 \/ \u4f50\u3005\u6728\u51ac\u5f66<\/p><\/div><\/div>\n<\/div>\n\n\n\n

\"\"<\/figure><\/div>\n<\/div>\n\n\n\n
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1. Marcel Grandjany (1891-1975) \u2013 Rhapsodie, op. 10 (1921)

2. Germaine Tailleferre (1892-1983) \u2013 Romance (arr. Tall\u00f3s)

3. \u00c1lmos L\u00e1szl\u00f3 Tall\u00f3s (*2003) \u2013 Sonate pour harpe op. 6<\/p><\/div><\/div>\n<\/div>\n\n\n\n

\"\"<\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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The Harp Class Introduces Itself<\/strong><\/strong><\/strong><\/strong><\/strong><\/h2><\/div><\/div><\/div>\n\n\n\n
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\u201c40 years of harp class in Feldkirch\u201d<\/strong>
Presentation \u201cThe Harp Class Introduces Itself I\u201d<\/strong>
10 \u2013 10.30 Uhr, Kleiner Saal
\u00a0<\/strong>
\u201e40 Jahre Harfenklasse in Feldkirch\u201c<\/strong>
Pr\u00e4sentation \u201eDie Harfenklasse stellt sich vor I\u201c<\/strong>
10 \u2013 10.30 Uhr, Kleiner Saal

Wolfgang Amadeus Mozart (1756-1791) \u2013 Klavierkonzert KV 488, 2. Satz, arr. V. Hartobanu
\u00a0
Astella Brenner \u2013 Harfe
Janessa\u00a0Embley\u00a0\u2013\u00a0Harfe
\u00a0
Enrique Granados (1867-1916) \u2013 Spanish Dance, No. 5
Trad. Arr. V. Hartobanu \u2013 Hebr\u00e4ische Lieder
\u00a0
Lev Tahor
Ata Honen
Esa Enai
\u00a0
Clara Beck \u2013 Harfe
Astella Brenner \u2013 Harfe
Janessa\u00a0Embley\u00a0\u2013\u00a0Harfe
\u00a0
C\u00e9sar Franck (1822-1890) – Pr\u00e9lude, fugue et variation \u2013 arr. F. Pierre
\u00a0
Daria Batschi \u2013 Harfe
Viktor Hartobanu \u2013 Harfe
\u00a0


Presentation \u201cThe Harp Class Introduces Itself II\u201d<\/strong>
12.15 \u2013 12.45 Uhr, Kleiner Saal
\u00a0
Pr\u00e4sentation \u201eDie Harfenklasse stellt sich vor II\u201c<\/strong>
12.15 \u2013 12.45 Uhr, Kleiner Saal
\u00a0
Bedrich Smetana (1824-1884) \u2013 Moldau (Transcr.\u00a0Hans\u00a0Trnecek)
\u00a0
Daria Batschi \u2013 Harfe
Stephen Glover (1812?-1870)
\u00a0
The wind and the harp
Friendship
\u00a0
Andrea Zielke \u2013 Gesang
Saghar Ahmadi \u2013 Gesang
Jo\u00eblle Wachsmuth \u2013 Harfe
\u00a0
Jacques Ibert (1890-1962) – Entr’Acte\u00a0
\u00a0
Samira Meyer \u2013 Fl\u00f6te
Sarah\u00a0Siren\u00a0\u2013\u00a0Harfe
\u00a0
Elias Parish-Alvars (1808-1849) \u2013 Grande fantaisie sur des motifs de ‘Lucia di Lammermoor’, Op. 79
\u00a0
Maren Weisshaupt – Harfe<\/p><\/div><\/div>\n<\/div>\n\n\n\n

\"\"<\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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Konzert \u201eBetween Earth, Sea & Sky\u201c \u2013 Monika Stadler<\/em><\/strong><\/strong><\/strong><\/strong><\/h2><\/div>

Ein Programm jenseits von Klischees an, das Elemente der Klassik, des Jazz, der Weltmusik und der improvisierten Musik<\/em>
auf unverwechselbarer Weise verbindet<\/em><\/em><\/em><\/p><\/div><\/div>\n\n\n\n

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<\/div>

Monika Stadler offers a program beyond clich\u00e9s, combining elements of classical, jazz, world and improvised music in her unique style.  
It is her main goal to expand the techniques of harp playing as well as to plumb the depths of the soul.
\u201cMy music is very personal, an expression of my soul, my spirituality and my femininity. 
It is drawn from being connected with nature, from the rhythms of life, from the experience of inner and environmental moods and of silence” (Monika Stadler)<\/em>

Monika Stadler bietet ein Programm jenseits von Klischees an, das Elemente der Klassik, des Jazz, der Weltmusik und der improvisierten Musik in ihrem einzigartigen Stil verbindet.  
Ihr haupts\u00e4chliches Ziel ist es, die Techniken des Harfenspiels zu erweitern und gleichzeitig die Tiefen der Seele auszuloten.
\u201eMeine Musik ist sehr pers\u00f6nlich, Ausdruck meiner Seele, meiner Spiritualit\u00e4t, meiner Weiblichkeit. Sie entspringt aus der Verbundenheit mit der Natur, den Rhythmen des Lebens, dem Erleben innerer und \u00e4u\u00dferer Stimmungen und der Stille.\u201c (Monika Stadler)<\/em><\/p><\/div><\/div>\n<\/div>\n\n\n\n

\"\"<\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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Concert \u00ab Helvetica \u00bb \u2013 Elisa Netzer<\/em><\/strong><\/strong><\/strong><\/strong><\/strong><\/h2><\/div>

From Switzerland with love<\/em><\/em><\/em><\/em><\/p><\/div><\/div>\n\n\n\n

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<\/div>

1. Ludwig van Beethoven (1770-1827) \u2013 Variationen \u00fcber ein Schweizerlied WoO 64
 
2. Nicolas-Charles Bochsa (1789-1856) – Les montaignes suisses, arie favorite dal Sempione (1839)
 
3. Joseph Lauber (1864-1952) – Suite Printani\u00e8re
I. Canzonetta
II. Feux- Follets
III. Claire de Lune
IV. Arabesque
 
4. Paul Hindemith (1895-1963) \u2013 Sonate f\u00fcr Harfe
I. M\u00e4ssig schnell
II. Lebhaft
III. Lied
 
5. Renato Grisoni (1922-2012) \u2013 from Suite ellenica
I. Armonia dorica, Allegro
II. Armonia frigia, Largo
III. Armonia ipofrigia, Allegretto
 
6. Stephan Hodel (1973*) – Toccare<\/p><\/div><\/div>\n<\/div>\n\n\n\n

\"\"<\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n

Konzert <\/em>\u201eResurgence\u201c<\/strong><\/strong><\/strong><\/strong><\/strong> – Marcel Cara<\/h2><\/div>

semi-finalist of the ARD Music Competition<\/em><\/strong><\/em><\/em><\/em><\/em><\/p><\/div><\/div>\n\n\n\n

\n
\n
<\/div>

1. Claude Debussy (1862-1918) \u2013 La plus que lente (1910) arr. Cara
 
2. Paul Hindemith (1895-1963) \u2013 Sonate f\u00fcr Harfe (1939)
I. M\u00e4\u00dfig schnell
II. Lebhaft
III. Lied: \u201eIhr Freunde, h\u00e4nget\u201c (L. H. Chr. H\u00f6lty)
 
3. Gabriel Faur\u00e9 (1845-1924) \u2013 Impromptu Op.86 (1906)
 
4. Robert Schumann\/Franz Liszt \u2013 Widmung (1846)
 
5. Andr\u00e9 Jolivet (1905-1974) \u2013 Pr\u00e9lude pour harpe (1965)
 
6. Marcel Tournier (1879-1951) \u2013 Images, Suite No.4, Op.39 (1939)
I. La Voli\u00e8re magique
II. Cloches sous la neige
III. La Danse du Moujik<\/p><\/div><\/div>\n<\/div>\n\n\n\n

\"\"<\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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