{"id":3426,"date":"2025-04-10T15:01:14","date_gmt":"2025-04-10T14:01:14","guid":{"rendered":"https:\/\/stellaematutinae.org\/?page_id=3426"},"modified":"2025-04-10T15:01:38","modified_gmt":"2025-04-10T14:01:38","slug":"12-april-saturday","status":"publish","type":"page","link":"https:\/\/stellaematutinae.org\/de\/12-april-saturday\/","title":{"rendered":"12. April – Saturday"},"content":{"rendered":"\n

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12. April – Saturday<\/h1><\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

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\u201eStars of tomorrow I\u201d \u2013\u00a0matin\u00e9e concert of young talents<\/em><\/strong><\/h2><\/div>

Henriette Urban<\/strong>\u00a0\u2013\u00a0Works of the 18th Century on a historical Single Action Harp<\/em>
Deborah Haag<\/strong>\u00a0\u2013\u00a0Contemporary and Experimental Music on the Harp<\/em><\/p><\/div><\/div>\n\n\n\n

\n
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<\/div>

1. Philippe-Jacques Meyer (1737-1819) \u2013 Sonata in C Dur

I. Allegro\u00a0
II. Andante, Non troppo\u00a0
III. Allegro

From: \u201cEssai sur la vrai mani\u00e8re de jouer de la harpe avec une m\u00e9thode de l\u2019accorder, Paris 1772\u201d

2. Jean-Baptiste Krumpholtz (1747-1790)

Pr\u00e9lude en la mineur
Romance en la mineur

From: \u201cPrincipes pour la harpe, Paris 1800\u201d

3. Philippe-Jacques Meyer (1737-1819)\u00a0

Giga in A Moll
Adagio in E Moll\u00a0

From: \u201cEssai sur la vrai mani\u00e8re de jouer de la harpe avec une m\u00e9thode de l\u2019accorder, Paris 1772\u201d

4. Jean-Baptiste Krumpholtz (1747-1790)\u00a0

Allegretto in E Moll\u00a0

5. Christian Hochbr\u00fccker (1727-1805) \u2013 Sonata 6 in D Dur\u00a0

I. Allegro\u00a0
II. Menuetto\u00a0
III. Allegro

From: \u201cSix Sonates pour la harpe, Paris 1762\u201d<\/p><\/div><\/div>\n<\/div>\n\n\n\n

\"\"<\/figure><\/div>\n<\/div>\n\n\n\n
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1. Heinrich Hartl (*1953) \u2013 from: Drei Charakterst\u00fccke f\u00fcr Harfe (op. 24): I. Elegie, Langsam

2. Robert Delanoff (*1942) \u2013 Stromatolithen (1989) for Harp and Organ

3. Katia Mestrovic (*1989) \u2013 Araneae (2021)<\/p><\/div><\/div>\n<\/div>\n\n\n\n

\"\"<\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n

Opening concert \u201c\u00c9rard Extravaganza\u201d\u00a0<\/strong><\/strong><\/h2><\/div>

Eva Curth, Elisabeth Plank, Viktor Hartobanu and Giuliano Marco Mattioli play music related to their historical treasures<\/em><\/p><\/div><\/div>\n\n\n\n

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<\/div>

Charles Nicholas Bochsa (1789-1856) \u2013 Rondeau sur le trio \u00bbZitti Zitti\u00ab du Barbier de Seville\u00a0(1816)

– dedicated to Miss Ashe<\/em>
\u00a0
Elias Parish Alvars (1808-1849) \u2013 Scenes of my Youth: Grande Fantaisie pour la harpe, Op.75 (1845) III. My Lodging is on the Cold Ground<\/em>

– d\u00e9di\u00e9e \u00e0 MELANIE son \u00c9pouse<\/em>


Elisabeth Plank – \u00c9rard London Empire with caryatids [Grecian] style harp no. 3804 (1825). First owner Miss [Tours] in 23, [St.] Charles Square, London.<\/em>
\u00a0<\/em>
Rosa Spier (1891-1967) – Impressionen \u00fcber Saul und David
\u00a0
Johannes Snoer (1868-1936) – Paraphrase aus Rheingold von Richard Wagner
\u00a0
Eva Curth – \u00c9rard Paris style Louis XVI no. 2344 (1893), dual-numbered London 6610. First owner Mr Motion of Faulkbourne Hall, previously owned by Ann Griffiths<\/em>
\u00a0
Eva Curth & Giuliano Marco Mattioli<\/em>
Franz Poenitz (1850-1912) \u2013 Spukhafte Gavotte, Op.75, zu einem Gedicht von Heinrich Heine (publ. 1907)
\u00a0
Gabriel Faur\u00e9 \u2013 from \u201cDolly suite, Op. 56\u201d (1896) \u2013 Berceuse, arr. Bernard Andr\u00e8s
\u00a0
\u00a0
Gabriel Faur\u00e9 (1845-1924) \u2013 Une Ch\u00e2telaine en sa tour… (1918), Op.110, from Verlaine\u2019s \u201cLa bonne chanson\u201d.
– \u00c0 Micheline Kahn<\/em>
Albert Roussel (1869-1937) \u2013 Impromptu, Op.21 (1919)
– \u00c0 Lily Laskine<\/em>
Marcel Grandjany (1891-1975) \u2013 \u00d4 bien-aim\u00e9e (1955), from Verlaine\u2019s \u201cLa bonne chanson\u201d.
– \u00c0 Jane Weidensaul et Thomas Palmer<\/em>
Giuliano Marco Mattioli – \u00c9rard Paris style Louis XVI harp no. 3408 (1908). Sold to Mr. Massion in Paris, previously owned by Jean-Michel Damase<\/em>
\u00a0
Alfredo Casella (1883-1947) \u2013 Sonata per Arpa, Op.68 (1943)
I. Allegro Vivace
– Per Clelia Gatti Aldrovandi<\/em>
Johannes Brahms (1833-1897) \u2013 Intermezzo, Op.118 Nr.2
\u00a0
F\u00e9lix Godefroid (1818-1897) \u2013 La danse des Sylphes, Op.31
Viktor Hartobanu \u2013 \u00c9rard Paris style gothique harp no. 4409 (1925), bought and previously owned by Clelia Gatti Aldrovandi<\/em>
\u00a0
Eva Curth, Viktor Hartobanu, Elisabeth Plank & Giuliano Marco Mattioli<\/em>
Alfred Rawlings (1860-1924) \u2013 Carillons blancs et carillons noirs, Op.53
III. Air de Carillon<\/p><\/div><\/div>\n<\/div>\n\n\n\n

\"\"<\/figure><\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_surecart_dashboard_logo_width":"180px","_surecart_dashboard_show_logo":true,"_surecart_dashboard_navigation_orders":true,"_surecart_dashboard_navigation_invoices":true,"_surecart_dashboard_navigation_subscriptions":true,"_surecart_dashboard_navigation_downloads":true,"_surecart_dashboard_navigation_billing":true,"_surecart_dashboard_navigation_account":true,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-3426","page","type-page","status-publish","hentry"],"featured_image_src":null,"yoast_head":"\n12. 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