{"id":3367,"date":"2025-04-02T14:59:07","date_gmt":"2025-04-02T13:59:07","guid":{"rendered":"https:\/\/stellaematutinae.org\/?page_id=3367"},"modified":"2025-04-04T08:23:22","modified_gmt":"2025-04-04T07:23:22","slug":"stars-of-tomorrow-iv","status":"publish","type":"page","link":"https:\/\/stellaematutinae.org\/de\/stars-of-tomorrow-iv\/","title":{"rendered":"Stars of Tomorrow IV"},"content":{"rendered":"

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STARS OF TOMORROW
KONZERT IV<\/h1><\/div>

Mizuki Namba <\/strong>\u2013 traditionelle japanische Musik und die \u201eBelle \u00c9poque\u201c<\/em>

\u00c1lmos L\u00e1szl\u00f3 Tall\u00f3s<\/strong> \u2013 Von der Interpretation zur Inspiration<\/em><\/p><\/div><\/div>\n<\/div><\/div>\n\n\n\n

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Mizuki Namba <\/strong>\u2013 traditionelle japanische Musik und die \u201eBelle \u00c9poque\u201c<\/em><\/p><\/div>

1. Toshir\u014d Mayuzumi (1929-1997) – \u30cf\u30fc\u30d7\u306e\u305f\u3081\u306e\u3008ROKUDAN\u3009\/ \u9edb\u654f\u90ce, dedicated to Ayako Shinozaki

2. Henriette Reni\u00e9 (1875-1956) – Pi\u00e8ce Symphonique – En trois \u00e9pisodes (1907)          
                                                  
3. Fuyuhiko Sasaki (1965-2020) – Resurrection With You, 1. Spring – Vulnerable Dreams \/\u30ec\u30b6\u30ec\u30af\u30b7\u30e7\u30f3\u30fb\u30a6\u30a3\u30ba\u30fb\u30e6\u30fc\u3088\u308a 1. \u6625 – \u511a\u3044\u5922 \/ \u4f50\u3005\u6728\u51ac\u5f66<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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\u00c1lmos L\u00e1szl\u00f3 Tall\u00f3s<\/strong> \u2013 Von der Interpretation zur Inspiration<\/em><\/p><\/div>

1. Marcel Grandjany (1891-1975) – Rhapsodie, op. 10 (1921)

2. Germaine Tailleferre (1892-1983) – Romance (arr. Tall\u00f3s)

3. \u00c1lmos L\u00e1szl\u00f3 Tall\u00f3s (*2003) – Sonate pour harpe op. 6
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Mizuki Namba<\/strong><\/strong><\/p><\/div>

Mizuki Namba begann im Alter von drei Jahren mit dem Harfenspiel und wurde unter anderem von renommierten Lehrkr\u00e4ften wie Kazuko Shinozaki, Isabelle Moretti und Ghislaine Petit-Volta ausgebildet. Zudem erhielt sie Unterricht in Klavier, Kammermusik, Dirigieren und Gesang bei verschiedenen Lehrenden in Japan und Frankreich.

Sie gewann erste Preise bei mehreren internationalen Wettbewerben, darunter beim Leopold Bellan International Competition in Paris (Junior- und Profikategorie), beim Soka Japan International Harp Competition sowie beim Osaka International Music Competition. Stipendien erhielt sie unter anderem vom Cap Ferret Music Festival und der Harp Master Class. Im Rahmen des Tobitate Study Abroad JAPAN-Programms studierte sie in Paris und trat am Conservatoire de Vincennes auf.

Im Jahr 2022 gab sie ihr Deb\u00fct in der Suntory Hall beim Grand Concert TOHO NEXT LEGEND<\/del>. Weitere Auftritte hatte sie beim Soka International Harp Festival, beim Chofu International Music Festival sowie bei einem Solorezital im Jahr 2023.

Sie tritt weiterhin regelm\u00e4\u00dfig sowohl solistisch als auch kammermusikalisch auf und studiert derzeit als Stipendiatin an der Toho Gakuen Musikschule. Mizuki ist Mitglied der Japan Harp Association, des World Harp Congress und der Japan Federation of Musicians.<\/p><\/div><\/div><\/div>\n<\/div>\n\n\n\n

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\u00c1lmos L\u00e1szl\u00f3 Tall\u00f3s<\/strong><\/strong><\/p><\/div>

\u00c1lmos L\u00e1szl\u00f3 Tall\u00f3s, geboren 2003, begann im Alter von neun Jahren sein Harfenstudium an einer\nMusikschule unter der Leitung der Harfenlehrerin M\u00e1rta Szederk\u00e9nyi-Horv\u00e1th. Von 2017 bis 2021\nsetzte er seine Ausbildung am Szent Istv\u00e1n Musikgymnasium fort, wo Deborah Sipkay seine\nHarfenlehrerin war. Dort vertiefte er seine Kenntnisse in Musikliteratur, Musiktheorie, Solfeggio\nund sogar Komposition. In dieser Zeit sammelte er auch wertvolle Erfahrungen im Orchester- und\nKammermusikspiel. Im Laufe seines Studiums entwickelte er eine sehr produktive und\nmotivierende Beziehung zu seiner Lehrerin, die zu vielen erfolgreichen Konzerten und\nWettbewerben f\u00fchrte und ihm schlie\u00dflich die Zulassung zum akademischen Studium erm\u00f6glichte.\nSeit Oktober 2021 studiert \u00c1lmos bei Prof. Xavier de Maistre und Ana\u00eblle Tourret an der\nHochschule f\u00fcr Musik und Theater Hamburg.

Neben seiner Arbeit mit den aktuellen Lehrern hat er aktiv an Meisterkursen renommierter\nK\u00fcnstler wie Catherine Michel, Maria Graf, Marie-Pierre Langlamet, Aneleen Lenaerts, Alexander\nBoldachev, Manja Smits und Elisabeth Plank teilgenommen.

\u00c1lmos performs regularly as a soloist and with orchestras. In 2021 and 2022, he appeared as a soloist with the Szent Istv\u00e1n Philharmonic, performing Danse sacr\u00e9e et profane in the Grand Hall of the Liszt Ferenc Academy of Music in Budapest before embarking on a tour with the orchestra. In 2023, he performed Mozart\u2019s Double Concerto KV 299 with the Hamburg Lawyers\u2019 Orchestra and gave successful solo recitals at the XXII Harp Festival in G\u00f6d\u00f6ll\u0151 and the Ars Sacra Festival in Budapest.

His competition achievements include top prizes in national and international harp competitions, such as the National Harp Competition of Music Schools in Budapest, the International Harp Competition in Szeged, and the Hong Kong International Harp Competition. He has also participated in prestigious events like the USA International Harp Competition and the ARD International Music Competition in Munich. In 2022, he was named a finalist for the Fanny Mendelssohn F\u00f6rderpreis for his proposed CD recording WELTTANZ. Since 2022, he has collaborated with LIVE MUSIC NOW HAMBURG, performing in solo and chamber music settings. In 2024, he was awarded the Elsie K\u00fchn-Leitz Scholarship, which includes concert invitations for the 2025\/26 season in Wetzlar and Avignon.

Nach Abschluss seiner akademischen Ausbildung strebt er an, ein vielseitiger K\u00fcnstler zu werden.\nNeben seiner Konzertt\u00e4tigkeit komponiert er eigene Werke und Arrangements. Bei seinen\nSoloauftritten spielt er oft seine eigenen St\u00fccke und hat das Ziel, zug\u00e4ngliche zeitgen\u00f6ssische Musik\nf\u00fcr die Harfe zu schaffen, um die vielf\u00e4ltigen M\u00f6glichkeiten des Instruments zu erkunden. Seine\nHauptinspirationen sind Henriette Reni\u00e9, Maurice Ravel und B\u00e9la Bart\u00f3k.<\/p><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_surecart_dashboard_logo_width":"180px","_surecart_dashboard_show_logo":true,"_surecart_dashboard_navigation_orders":true,"_surecart_dashboard_navigation_invoices":true,"_surecart_dashboard_navigation_subscriptions":true,"_surecart_dashboard_navigation_downloads":true,"_surecart_dashboard_navigation_billing":true,"_surecart_dashboard_navigation_account":true,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-3367","page","type-page","status-publish","hentry"],"featured_image_src":null,"yoast_head":"\nStars of Tomorrow IV - 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