{"id":2419,"date":"2024-10-01T13:01:16","date_gmt":"2024-10-01T13:01:16","guid":{"rendered":"https:\/\/stellaematutinae.org\/?page_id=2419"},"modified":"2024-10-01T13:01:16","modified_gmt":"2024-10-01T13:01:16","slug":"giuliano-marco-mattioli","status":"publish","type":"page","link":"https:\/\/stellaematutinae.org\/de\/giuliano-marco-mattioli\/","title":{"rendered":"Giuliano Marco Mattioli"},"content":{"rendered":"\n
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Giuliano Marco Mattioli<\/h2><\/div>

Born in 1980, Giuliano Marco Mattioli began playing the harp at 19. He graduated with full marks at the \u201cConservatorio di musica A. Boito\u201d in Parma in 2005; two years later he obtained a master\u2019s degree cum laude in Harp Performance. He subsequently specialized in baroque and classical performance with Mara Galassi at \u201cScuola civica di musica C. Abbado\u201d in Milan. Mattioli attended several masterclasses with well-renowned musicians: Mario Falcao, Alice Giles, Kumiko Inoue, Ieuan Jones, Skaila Kanga, Judith Liber, Isabelle Perrin, Fabrice Pierre, and David Watkins.

He has been awarded first prize at many national competitions, such as \u201cRiviera della Versilia\u201d Camaiore, \u201cRotonda di S. Biagio\u201d Monza, \u201cArcangelo Corelli\u201d Riccione, \u201cCarpineti in musica\u201d Reggio Emilia, \u201cGiovani arpisti\u201d Padua, \u201cBrahms competition\u201d Alessandria. In 2006, he was admitted to the 16th edition of the prestigious \u201cInternational Harp Contest in Israel\u201d.

He was invited to perform in various international music festivals, such as \u201cFestival des Arts et Vignes\u201d Die, \u201cLa nuit aux torches\u201d and \u201cLa nuit lyrique\u201d Chatillon-en-Dios, \u201cHarpae\u201d Isolabona, \u201cArpa viggianese\u201d Viggiano, \u201cArmonie fra musica e architettura\u201d Reggio Emilia, \u201cNote per Lucia\u201d Siracusa. Alongside his solo career, he proved himself an orchestral harpist of good quality, working with orchestras such as \u201cConcerto K\u00f6ln\u201d, \u201cLa Verdi\u201d, \u201cI Pomeriggi musicali\u201d, \u201cOrchestra Filarmonica Italiana\u201d, \u201cOrchestra 1813 – Teatro Sociale of Como\u201d, \u201cOrchestra Sinfonica di Lecco\u201d, \u201cLake Como Philharmonic Orchestra\u201d, \u201cAccademia orchestrale del Lario\u201d, \u201cBrixia musicalis\u201d. With the theatre company \u201cTeatro all\u2019Improvviso\u201d in Mantua, he premiered the show Felicit\u00e0 di una stella in 2008 at the 61st edition of the \u201cFestival du Theater d’Avignon\u201d. This led to an intense tour which saw him perform in France, Italy, Spain, Switzerland, and Portugal.

Five recording projects have been completed by far: in 2005, Harp\u2026 and Voice; in 2009, the live album of the French tour Harpa Lyrica, followed by The harp asks pleasure first in 2017. De la musique avant toute chose\u2026, played on a 1908 \u00c9rard harp, appeared in 2019. Notte is the latest project published in 2023 by Da Vinci Classics, which contains modern classical music and seven world premiere recordings.
For several years he has been teaching his own instrument, privately and in music schools, working with very young children, from four years of age, up to adult amateurs. He taught at \u201cMusicaperta\u201d school in Milan, \u201cScuola civica di musica di Villaguardia\u201d and \u201cFondazione civica\u201d in Carugate.

Mattioli\u2019s passion for the harp led him to research its history and construction. In 2020 he began training as a harp restorer and technician at Lucia Bellani’s Liuteria Artigiana, and in 2021 he opened his own historical harp restoration workshop. His contribution on the relationship between the Bonaparte family and the harp maker \u00c9rard was presented in the 2021 international convention \u201cEntre Milan et Monza: la cour napol\u00e9onienne et ses relations internationales\u201d. In 2022, he published his essay on the most famous family of piano and harp manufacturers with Zecchini Editore, La famiglia \u00c9rard. Un percorso storico fra documenti e strumenti musicali. [The \u00c9rard family. A historical journey through documents and musical instruments]. It is the first study ever carried out by analysing the company’s French and English ledgers, patents, letters and historical instruments.
In 2023 he completed his three-year training as a psychodynamic music therapist at the Centro Musicoterapico of Milan. He attended all the four levels of the Benenzon method.<\/p><\/div><\/div><\/div>\n\n\n\n

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